5 – Sixty-Five Precisely

This track ended up requiring the most complex recording process.
It’s really in three parts, and it’s got looping, harmonics, tons of layers, a bitcrushed Purdie shuffle (played on bass of course), backwards bass, a metric modulation (tempo change) and even slap bass.

It’s also the personal favourite of Nils Brakchi who did the cover painting. And he’s a lovely bass player, so he would know!

All sounds produced on a ’65 Fender Precision Bass which of course explain the title.


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